Dr. Benjamin S. Carson, Sr, M.D.. (born 18 September, 1951) is an American neurosurgeon and the Director of Pediatric Neurosurgery at Johns Hopkins Hospital. He was awarded the Presidential Medal of Freedom in 2008.Here goes.....
Jack Johnson, the first black heavyweight champion, whose reign lasted from 1908 to 1915, was also the first African American pop culture icon. He was photographed more than any other black man of his day and, indeed, more than most white men. He was written about more as well. Black people during the early 20th century were hardly the subject of news in the white press unless they were the perpetrators of crime or had been lynched (usually for a crime, real or imaginary). Johnson was different—not only was he written about in black newspapers but he was, during his heyday, not infrequently the subject of front pages of white papers. As his career developed, he was subject of scrutiny from the white press, in part because he was accused and convicted of a crime, but also because he was champion athlete in a sport with a strong national following. Not even the most famous race leaders of the day, Booker T. Washington, president of Tuskegee Institute in Alabama, and W. E. B. Du Bois, founding member of the National Association for the Advancement of Colored People and editor of that organization's magazine, The Crisis, could claim anywhere near the attention Johnson received. Not even the most famous black entertainers and artists of the day—musical stage comics George Walker and Bert Walker, or bandleader James Reese Europe, or ragtime composer Scott Joplin, or fiction writer Charles W. Chesnutt, or painter Henry O. Tanner—received Johnson's attention. In fact, it would be safe to say that while Johnson was heavyweight champion, he was covered more in the press than all other notable black men combined.
And, like the true pop culture figure, the way Johnson lived his life and, particularly, the way he conducted his sex life mattered a great deal to the public. He was scandal, he was gossip, he was a public menace for many, a public hero for some, admired and demonized, feared, misunderstood, and ridiculed. Johnson emerged as a major figure in the world of sports at the turn of the century when sports themselves, both collegiate and professional, were becoming a significant force in American cultural life and as the role of black people in sports was changing. Johnson arrived at a time when the machinery of American popular culture, as we know it today, was being put into place. Recorded music, which was to change entirely how music was made, sold, and distributed in the United States, came into being at this time. Movies were well established as a popular medium of entertainment at the time when Johnson became a big enough name in boxing to fight for a world title. Indeed, films were an important way for promoters and fighters to make money in boxing by showing the films of bouts in movie theaters. Boxing was, by far, the most filmed sport of its day.
The automobile, which became Johnson's great passion and the most celebrated piece of technology connected with popular culture, was part of the brave new world of the early 1900s, replacing the bicycle. And, along with this came the rise of spectator sports, which changed how Americans spent their leisure time: baseball was a long-standing craze, college football was growing in popularity, basketball had been invented. There was also track and field, the modern return of the Olympic Games, golf, tennis, bicycle racing, race walking, horse racing, and probably the most popular of all sports at the time, professional boxing or, as it was commonly called, prizefighting.
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